Posts Tagged ‘typography’

ALPHABIKE

November 18th, 2009, posted in biking, general thoughts, photos, projects

Two weeks ago I had a little idea that blossomed into a wildly popular project entitled ALPHABIKE.

alphabike**UPDATE JULY 2010: Posters of ALPHABIKE are now for sale on Etsy!**

It started with these two books I found called Graphic Design: the New Basics, a guide to design principles illustrated primarily with student work, and Teaching Graphic Design, a collection of syllabi from undergraduate and graduate design courses all over the country.

I noticed a project being done in a lot of intro to typography classes was creating an alphabet out of random objects, ranging from banana peels, to army men, shoes, food, bodies, some physical, some photographic.  I thought, well, what do I love as much as I love typography and photography?  BIKES!  Hence the birth of the ALPHABIKE.

I spent a couple days taking photos of bikes (and am now intimately familiar with most every bike on Hampshire’s campus).  G, R, K, and F were the most difficult to find.  I had to think a lot about distinguishing letters from shapes, what the essential lines of each letter are, and many of the photos are all about perspective.

People have already been asking me about getting a poster of it, so I think I’m going to sell prints as a fundraiser for my circus troupe’s bicycle tour next summer.  So let me know if you are interested, and I’ll have them available some time in the next few weeks!

Book-talk: Citizen Designer

October 21st, 2009, posted in book-talk, inspiration

Here’s an excerpt from my annotated bibliography, all of these are essays from a fantastic book called Citizen Designer: Perspectives on Design Responsibility.

I was excited to realize when I started compiling my bibliography that all the articles I’ve annotated so far are by women!  Which is awesome, since graphic design is traditionally a very male-dominated field… Some of the essays are better than others, but I’m rating everything I read on a scale from 1 to 5 ampersands, for easier delineation purposes.

“Socially Responsible Advertising: Altruism or Exploitation?” by Judith Schwartz.
A fantastic essay examining the complex ethics of using social change, environmentalism, and charity as marketing and branding strategies.  Schwartz breaks businesses using these strategies down into three categories – niche marketers, passion branders, and image builders – and goes into specific examples for each.  At the end, she concludes that there is no such thing as true altruism when it comes to business.  Society and the causes being supported CAN benefit from these advertising campaigns, but the bottom line is always profit and self-interest, and cause marketing is often opportunistic and exploitative.
Rating: &&&&

“Good Citizenship: Design as a Social and Political Force,” by Katherine McCoy.
Generally not a very useful article for me.  The primary audience is clearly design educators, and the focus is on the problem of neutrality and detachment in many design classrooms. “Should one help sell tobacco and alcohol, or design a Presidential memorial library for a man who reads only pulp cowboy novels? …The answers may be more subtle than a yes or no.  But one thing is clear: Design is not a neutral, value-free process.” McCoy discusses how it’s important for design students to sometimes think about social and political content in addition to projects focusing on selling goods and services, and try developing their own personal content independently of client assignments.  That has pretty much been my entire Hampshire career…
Rating: &&&

“Beyond Pro Bono: Graphic Design’s Social Work,” by Anne Bush.
This is the best and most useful article I’ve read so far.  Bush goes in depth about the importance of sociological and anthropological considerations in design, and critically analyzes several poorly executed poster campaigns.  In one poster, for the New Liberal Party in Columbia, classic images of working class empowerment “…reinforced the rhetoric of existing power structures rather than interacting with a more conflicted social reality.  It attempted to represent rather than engage potential readers.” Communication is fundamentally about dialogue, and Bush encourages exploring how an active dialogue between client, designer, and audience “could result in more collaborative (and ultimately productive) communications that are interactive in their actual intent and that function through joint design rather than prescribed conditions.”
Rating: &&&&&

“Ethical Design Education: Confessions of a Sixties Idealist,” by Susan Szenasy.
This article was not very relevant to me.  It’s basically a design professor at Parsons musing about how to make her whiny, cynical, self-centered students give a damn about the world and not be concerned merely about making money.
Rating: &&

>>Blog of the week: the Groundswell Collective blog, edited by Hampshire alum and fellow design-for-social-changer Dave Morgan. Groundswell is dedicated to critical cultural production at the intersection of art and activism, and does a fantastic job of highlighting projects, artists, and organizations that actively engage with social justice causes in a variety of creative fields.  The blog has actually been down for the last few weeks due to a hacker attack, but is now up and running again, so check it out and spread the word!

the Daily Serif: Week of October 11th

October 18th, 2009, posted in daily serif

Type sketches from the past week!  I’ve been playing a lot with width and height.

Click on a thumbnail to launch the gallery.

daily serif 07dailyserif08dailyserif09dailyserif10dailyserif11dailyserif12

thoughts?

Font of the Week Thursdays: Chaparral

October 15th, 2009, posted in Font of the Week

Every thursday, I will enlighten you, dear readers, about a particular font that has been on my mind.  This week’s font is Chaparral Pro, which has been my favorite font for the last year or two, superseding Garamond.

chaparral_example

chaparral - brown foxIt was designed by Carol Twombly, who is my FAVORITE font designer, and also one of the few female typographers – I named my bicycle after her.  She also designed Caslon, Myriad, Charlemagne, Lithos, Nueva, Zebrawood, and Trajan – the names may be unfamiliar, but I’m confident that you would surely recognize all of them.

Chaparral is a very beautiful slab serif.   In layperson’s terms, that means it’s serifs (the little bits sticking off the end of each letter stroke) are thicker and more block-like, and meet the stroke at a sharp angle.

chaparral - lazy dogChaparral combines the versatile legibility of slab serif designs popularized in the 19th century with the grace of 16th-century roman book lettering.  It’s varying letter proportions and x-height (the height of the lower case letters) give it a clean, friendly, accessible feel.

It comes bundled with any Adobe Creative Suite software, so if you have Photoshop, InDesign, Illustrator, or After Effects, you should have it already!  Use Chaparral for essays about environmental justice, posters for the radical knitting club, wine labels, business cards, nonprofit circus groups, tea party invitations, book covers, birthday cards for your mom, magazine headlines, or pretty much anything that calls for a crisp, cordial, clever font.

Don’t you feel so much better about life now that you know about Chaparral?